Life in plastic, according to numerous critics, is often seen as fantastic, especially when it comes to the much-discussed Barbie movie. The film, featuring Margot Robbie and Ryan Gosling, is set to hit the screens this Friday, competing with Christopher Nolan’s Oppenheimer.
Barbie has received widespread acclaim, with Empire calling it “painfully funny,” and the Independent describing it as “joyous from minute to minute.” Clarisse Loughrey from the Independent gave the film a glowing five-star review, praising its inventive and surprising approach, showcasing what can be achieved even within the depths of capitalism. She pointed out that while no studio film can be entirely subversive, Barbie manages to push the boundaries more than expected.
Robbie Collin of The Telegraph also had positive feedback, awarding the film four stars and emphasizing its conceptual slipperiness and hilarity. He noted that despite being a summer comedy adventure about the Barbie toy line, the film had a satirical angle that resonates with older viewers, creating a mischievous and enthusiastic experience.
However, not all critics were equally impressed. Sarah Vine from the Daily Mail criticized the film for being anti-men and perpetuating TikTok feminism, portraying masculinity as toxic and predatory. She expressed that if the genders were reversed, such a movie would be denounced as offensive and sexist.
Peter Bradshaw of The Guardian gave a lukewarm review, awarding the film three stars. He perceived Barbie as a good-natured yet self-conscious movie, occasionally funny but somewhat inhibited in pursuing humor in the same way as other blockbuster comedies.
Despite mixed reviews, other critics had more positive viewpoints. Rolling Stone’s David Fear labeled Barbie as the most subversive blockbuster of the 21st Century, while NME’s Alex Flood appreciated the script’s unexpected subtlety.
The performances of Margot Robbie and Ryan Gosling also garnered praise. Beth Webb from Empire praised Robbie’s hilarious portrayal of Barbie and Gosling’s remarkable transformation into the insecure Ken. She lauded their chemistry and described Gosling’s performance as breathtaking.
Greta Gerwig, the film’s director, received acclaim from Devan Coggan of Entertainment Weekly, who called the movie a fierce, funny, and deeply feminist adventure that evokes laughter and tears.
Lovia Gyarkye of the Hollywood Reporter held a different perspective, finding the movie smartly done but suggesting that an ominous tone permeates the entire exercise, resulting in some sacrifices to the story.
Various reviews highlighted different criticisms, including the handling of characters of color and the film’s pacing. Valerie Complex from Deadline noted that some characters of paint were used as devices to push stereotypical Barbie and Ken narratives forward, resulting in an imperfect film.
Johnny Oleksinski of the New York Post was less forgiving, calling Barbie an overwrought disappointment and comparing the packaging to more exciting than the actual content.
Time’s Stephanie Zacharek criticized the film’s tone, expressing that Barbie’s constant cleverness became exhausting after a while.
In contrast, Peter DeBruge from Variety viewed Barbie as a form of inception itself, showcasing positive examples of the female potential for future generations and encouraging viewers to challenge Barbie’s representation beyond being a mere toy commercial.
the Barbie movie has sparked diverse opinions among critics, with some hailing its cleverness and feminist th. In contrast, others raise concerns about its portrayal of gender and character representation. Whether It is genuinely truly fantastic or falls short of expectations, Barbie has managed to stir up discussions and leave its mark in the world of cinema.
Full Story Source: Critics review the Margot Robbie film Barbie Movie.